Archival Participatory Filmmaking in Migration and Border Studies

Abstract

In this chapter, I report on the role of archival participatory filmmaking in migration and border studies to challenge border epistemologies from below.Through the analysis of three workshops held in Ceuta, Madrid and Vitoria-Gasteiz, I provide new perspectives on this methodology as a safe space for undocumented migrants to create self-representational films about their border-related experiences.I adopt a visual ethnographic approach that emphasizes participation, belonging and everydayness in contexts of exclusion.First, I explore the interplay between participatory filmmaking, migration and border studies.Secondly, I unpack the potential of using archival participatory filmmaking to transform unseen private footage into public films.Finally, I address ethical and methodological considerations and offer recommendations for good practice.