Abstract

This volume discusses the role of embodiment in the reevaluation of aesthetics as a process of bodily mediated meaning-making. It focuses on the bodily basis of aesthetic appreciation from an evolutionary point of view, on the bodily physical structures such as the brain involved in perception, on aesthetic experience and appreciation, on the role of physiological responses in experiencing the objects of the environment aesthetically, on the role of one's own body in motion in the engagement with the environment, on somatic responses and the experience of meaning, on the pre-reflective experience of the body, on the role of the interplay of different types of physical and sensory activities in the process of education to art appreciation.

Keywords:
Embodied cognition Aesthetics Meaning (existential) Perception Psychology Aesthetic experience Art Epistemology Philosophy Neuroscience Psychotherapist

Metrics

7
Cited By
0.00
FWCI (Field Weighted Citation Impact)
0
Refs
0.24
Citation Normalized Percentile
Is in top 1%
Is in top 10%

Citation History

Topics

Aesthetic Perception and Analysis
Life Sciences →  Neuroscience →  Cognitive Neuroscience

Related Documents

JOURNAL ARTICLE

Conclusion. Embodied Aesthetics

Alexander Wragge‐Morley

Year: 2020 Pages: 161-180
BOOK-CHAPTER

Woolfâs Embodied Cognitive Aesthetics

Palgrave Macmillan eBooks Year: 2014
JOURNAL ARTICLE

Embodied Aesthetics in Auditory Display

Stephen RoddyDermot Furlong

Journal:   Organised Sound Year: 2014 Vol: 19 (1)Pages: 70-77
BOOK-CHAPTER

The Aesthetics of Embodied Life

Mark H. Johnson

Contributions to phenomenology Year: 2014 Pages: 23-38
JOURNAL ARTICLE

Social Aesthetics and Embodied Cinema

David MacDougall

Journal:   Open access LMU (Ludwid Maxmilian's Universitat Munchen) Year: 2015
© 2026 ScienceGate Book Chapters — All rights reserved.